The conditions governing the digital world have led to a radical diversification not only in photography but also in the theory that underpins it and the history that is written about it. Photographic media and forms are incorporated into complex tech technological, capitalist and ideological networks; the experts who are conducting scholarly research into the role of photographic images thus come from very different disciplines. The expansion of the discourse surrounding these images is also reflected in Still Searching…, the blog on photographic theory that was initiated by Fotomuseum Winterthur in 2012 and which subjects all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The bloggers invited to the online format operate at the forefront of research and enhance our awareness of current issues that are relevant to photography.
Sean Cubitt | 05.03.2017 – 22.02.2024
The photographic image introduced a radical new proposition about representation. Drawing, painting and printmaking required prolonged contemplation of subjects. The long exposures of early photography seemed to parallel that durational encounter. But the appearance of the snapshot changed that. The photogram was an isolated moment singled out that provided a new aesthetic and a new ethical quandary about the instant seized abruptly from the flow of time. The moving image may be seen as an attempt to heal this trauma in the flux of time, but one that created new modes of temporal alienation. Digital imaging, still and moving, alters the conditions of the photogram, bringing it closer to the processing of scientific instruments. In his blog series, thinking ahead of a proposed new avenue of research into the aesthetic politics of truth, Sean Cubitt draws on thinkers from Flusser to Badiou to consider the changing nature and function of time from the decisive moment to data visualisation.
Problems of Happy Images
The Mass Image
The Image Withheld
The current blog series are co-written by image theorists Ingrid Hoelzl and Rémi Marie. Until the end of April, they will reflect on the status of the image in digital culture. They will examine the shift from the humanist to the posthumanist programme of the image, in line with the shift from the geometric paradigm of the image (based on the linear perspective) to the algorithmic paradigm (introduced with digitalization). Hoelzl and Marie will discuss the central idea of their book Softimage (2015), the image as a software, and reflect on the status of the image in the age of autonomous machines – the postimage.
From the Kino-Eye to the Postimage
T.J. Demos | 01.05. – 15.06.2015
From the beginning of May until June 15, T.J. Demos (professor in the Department of the History of Art and Visual Culture, and director of the Center for Creative Ecologies, at the University of California, Santa Cruz) is planning to engage with the relation between photography and ecology, specifically thinking about the so-called anthropocene and its limits and problems, and how these are negotiated and positioned photographically.
Welcome to the Anthropocene!
Trevor Paglen | 01.03. – 15.04.2014
Is Photography Over?
Starting on March 1, 2014, the American artist, Trevor Paglen, will write about the world of “seeing machines” – from iPhones to facial recognition algorithms to automated military targeting systems – and what they mean in terms of 21st century photography.