The Real Truth about Facts. Bibliography and Visual Research 31.08. – 17.09.2017 | online

SITUATION #89

Image and Video collection. Sources: Tumblr, Twitter, Wikipedia, YouTube.

BIBLIOGRAPHY, FURTHER READING ABOUT PHOTOGRAPHY AND TRUTH

Rudolf Arnheim, “On the Nature of Photography”, in Critical Inquiry, 1, 1, 1974, 149–161.

André Bazin, “The Ontology of the Photographic Image”, in Film Quarterly, 13, 4, 1960, 4–9.

John Berger, Ways of Seeing, London: BBC/Penguin, 1972.

Judith Butler, "Endangering/Endangered. Schematic Racism and White Paranoia”, in Reading Rodney King. Reading Urban Uprising, ed. Robert

Gooding-Williams, New York: Routledge, 1993, 15–22.

Jeremy Campbell, The Liar’s Tale. A History of Falsehood, New York: Norton, 2002.

Lorraine Datson and Peter Galison, Objectivity, Zone Books, 2007.

Jodi Dean, Aliens in America. Conspiracy Cultures from Outerspace to Cyberspace, Ithaca/NY: Cornell University Press, 1998.

Mia Fineman, Faking It. Manipulated Photography before Photoshop, New York: Metropolitan Museum of Art, 2012.

Forensic Architecture (Hg.), Forensis. The Architecture of Public Truth, Berlin: Sternberg Press, 2014.

Peter Geimer, “Fotografie als Fakt und Fetisch”, in Ganz normale Bilder: Historische Beiträge zur visuellen Herstellung von Selbstverständlichkeiten, ed. David Guggerli and Barbara Orland, Zürich: Chronos, 2002, 183–194.

Boris Groys, “Truth in Photography”, in Camera Austria 43–44, 1993, 3–18.

Tom Gunning, “What’s the Point of an Index? Or, Faking Photographs”, in Still/Moving. Between Cinema and Photography, ed. Karen Beckman und Jean Ma, Durham: Duke University Press 2008, 23–40.

Alain Jaubert, Fotos, die lügen. Politik mit gefälschten Bildern. Frankfurt/M.: Athenäum, 1989.

David Levi-Strauss, “Photography and Propaganda”, in idem, Between the Eyes. Essays on Photography and Politics, New York: Aperture Foundation, 2003, 12–41.

Peter Lunenfeld, “Digital Photography. The Dubitative image”, in idem, Snap to Grid. A User’s Guide to Digital Arts, Media, and Cultures, Cambridge/MA: 2002, 55–69.

Amos Morris-Reich, Race and Photography. Racial Photography as Scientific Evidence, Chicago, London: University of Chicago Press, 2016.

Angelika Pofferl und Reiner Keller, “Die Wahrheit der Bilder”, in Fotografie und Gesellschaft: Phänomenologische und wissenssoziologische Perspektiven, hg. von Thomas S. Eberle, Bielefeld: transcript, 2017, 305–315.

Martha Rosler, “In, Around, and Afterthoughts (On Documentary Photography)”, in The Contest of Meaning: Critical Histories of Photography, ed. Richard Bolton, Cambridge/MA: MIT Press, 1989, 303–342.

Daniel Rubinstein and Katrina Sluis, “The Digital Image in Photographic Culture: Algorithmic Photography and the Crisis of Representation”, in: The Photographic Image in Digital Culture, ed. Martin Lister, London: Routledge, 2003, 22–40.

Roland Scotti, “Denn sie sind nicht wahr, obwohl sie den Schein der Wahrheit tragen”, in Alles Wahrheit! Alles lüge! Photographie und Wirklichkeit im 19. Jahrhundert, hg. von Bodo von Dewitz und Roland Scotti, Amsterdam, Dresden: Verlag der Kunst, 1996, 15–25.

Allan Sekula, “The Body and the Archive”, in October 39, 1986, 3–64.

Abigail Solomon-Godeau, “The Ghosts of Documentary” (2012), in idem, Photography After Photography. Gender, Genre, History, Durham: Duke University Press, 2017, 123–140.

Jason Stanley, How Propaganda Works, Princeton: Princeton University Press, 2015.

Hito Steyerl, Die Farbe der Wahrheit. Dokumentarismen im Kunstfeld, Wien: Turia + Kant, 2013.

John Tagg, The Disciplinary Frame. Photographic Truths and the Capture of Meaning, Minneapolis: University of Minnesota Press, 2008.

Thomas H. Wheeler, Phototruth or Photofiction. Ethics and Media Imagery in the Digital Age, Mahwah/NJ: Lawrence Erlbaum, 2002.

Wilfried Wiegand (ed.), Die Wahrheit der Photographie. Klassische Bekenntnisse zu einer neuen Kunst, Frankfurt/M.: Fischer, 1981.