Still Searching…

The conditions governing the digital world have led to a radical diversification not only in photography but also in the theory that underpins it and the history that is written about it. Photographic media and forms are incorporated into complex tech technological, capitalist and ideological networks; the experts who are conducting scholarly research into the role of photographic images thus come from very different disciplines. The expansion of the discourse surrounding these images is also reflected in Still Searching…, the blog on photographic theory that was initiated by Fotomuseum Winterthur in 2012 and which subjects all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The bloggers invited to the online format operate at the forefront of research and enhance our awareness of current issues that are relevant to photography.

Blog series: Processing

Sean Cubitt | 05.03.2017 – 24.02.2024
Processing

The photographic image introduced a radical new proposition about representation. Drawing, painting and printmaking required prolonged contemplation of subjects. The long exposures of early photography seemed to parallel that durational encounter. But the appearance of the snapshot changed that. The photogram was an isolated moment singled out that provided a new aesthetic and a new ethical quandary about the instant seized abruptly from the flow of time. The moving image may be seen as an attempt to heal this trauma in the flux of time, but one that created new modes of temporal alienation. Digital imaging, still and moving, alters the conditions of the photogram, bringing it closer to the processing of scientific instruments. In his blog series, thinking ahead of a proposed new avenue of research into the aesthetic politics of truth, Sean Cubitt draws on thinkers from Flusser to Badiou to consider the changing nature and function of time from the decisive moment to data visualisation.

The Image Withheld

Wednesday, 15.02.2017
<p>All that distinguishes a photo as image and a photo as component of the mass image is the simple act of attention. Among all the billion images uploaded, stashed or discarded, only a tiny few secure even a few moments of active contemplation.</p>
Blog series: Images without Viewers

Jodi Dean | 05.01. – 29.02.2016
Images without Viewers

2016 kicks off with a new blog series by political theorist Jodi Dean, “Images without viewers“. Until the end of February, Dean will reflect on the repetition and circulation of images in communicative capitalism. In today’s digitally networked communication practices, photographs and images are incorporated and blended together with speech and writing, a process designated by Dean as “secondary visuality” (akin to Walter Ong’s “secondary orality”). How do mass personalized media involve “secondary visuality,” and what are the political repercussions? What does it mean when images are less for view than they are for circulation?

Images in Common

Tuesday, 23.02.2016
<p>In communicative capitalism, we communicate with words and images – what I’ve been referring to as “secondary visuality.” Communicative utterances that might have once been speech acts – like talking on the phone or sending a letter to the editor – now mix words and images: a text with emojis, an animated gif inserted into a comment thread, a meme. New kinds of visual conversations make stories out of photos and short videos (Snapchat). As interactions that flow across our screens, multiple images envelop us in a montage of humor, horror, the mundane, and the bizarre. Words and images are equivalent. One does not replace or subordinate the other. They intermix, mash, and mingle such that neither alone can be said to be the repository of truth.</p>