Still Searching…

From 2012 to 2023, the discursive blog format of Fotomuseum Winterthur subjected all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The approximately 50 bloggers that contributed to Still Searching… discussed photographic media and forms within their complex technological, capitalist and ideological networks and negotiated some of the most pressing and relevant questions surrounding photography.

Blog series: Digital Infrastructures of Race and Gender

Safiya Umoja Noble | 06.12.2017 – 31.01.2018
Digital Infrastructures of Race and Gender

Till the end of January, Safiya U. Noble explores the intersectional ways race and gender are embedded in digital infrastructures. Noble suggests that logics and structures of race are a matter of network and platform design, which encode values that cannot be divorced from the digital. To open, she investigates the erosion of humanities and social science courses from the education of engineers, and suggests that the erasure of sociality impacts conceptions of technology’s promise. Later in the series, she explores other dimensions of the social stack and how race and gender are embedded in contemporary conceptions of the digital.

The Problems of Profiting from Internet Pollution

Monday, 08.01.2018
<p><!--[if gte mso 9]>--> Normal 0 21 false false false EN-US X-NONE X-NONE <!--[if gte mso 9]>--> <!--[if gte mso 10]>--> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:Arial; color:black; mso-ansi-language:EN; mso-fareast-language:EN-US;} <!--StartFragment--> <!--EndFragment--></p> <p><span>At the end of 2017, I attended and participated in an international conference on internet content moderation, </span><span><a href="https://atm-ucla2017.net/" target="_blank" rel="noopener"><span>All Things in Moderation</span></a></span><span>, at the University of California, Los Angeles, organized by my long-time research collaborator, </span><span><a href="http://newsroom.ucla.edu/experts/preview/5877c4372cfac202470891d1/" target="_blank" rel="noopener"><span>Dr. Sarah T. Roberts</span></a></span><span>, an authority on commercial content moderation. This conference was the first of its kind, bringing in stakeholders for public conversations that reflected the concerns of industry, activists, content moderation workers, journalists, academics, and policy makers. In today’s blog post, I want to talk about the ethical dimensions of regulating the internet and digital media platforms, whether by content moderation, algorithms and automated decision-making systems, or by public policy. </span></p>
Blog series: Is Photography Over?

Trevor Paglen | 01.03. – 15.04.2014
Is Photography Over?

Starting on March 1, 2014, the American artist, Trevor Paglen, will write about the world of “seeing machines” – from iPhones to facial recognition algorithms to automated military targeting systems – and what they mean in terms of 21st century photography.

Scripts

Monday, 24.03.2014
<div>In the last post, I proposed that 21st Century “photography” has come to encompass so many different kinds of technologies, imaging apparatuses, and practices that the kinds of things we easily recognize as photography (cameras, film, prints, etc.) now actually constitute an exception to the rule. I proposed a much broader definition – <em>seeing machines</em>. <br><br></div>