Still Searching…

From 2012 to 2023, the discursive blog format of Fotomuseum Winterthur subjected all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The approximately 50 bloggers that contributed to Still Searching… discussed photographic media and forms within their complex technological, capitalist and ideological networks and negotiated some of the most pressing and relevant questions surrounding photography.

Blog series: Future Histories

Steffen Siegel | 23.04. – 15.07.2020
Future Histories

In his blog series “Future Histories,” Steffen Siegel discusses various problems of older and more recent historiographies of photography – and how to go beyond them. Photographic image-production and the medium’s historiography share almost the same age. However, compared to photography’s innovative or even revolutionary visual strategies, the forms of writing about its history have remained surprisingly traditional. Photography Studies always have been a nomadic enterprise within an interdisciplinary environment. Nevertheless, there is a risk of taming these research activities by adopting models and genres from other academic disciplines. This blog series is an invitation to discuss the following questions: How can we arrive at new ways of reflecting on photo history? How can we create a bigger picture without just writing another compendious book? Thus, how can “Future Histories” lead to different ways of representing the medium’s history?

Beyond Newhall?

Wednesday, 06.05.2020
<p>We don’t have to beat around the bush: the photo historian, curator, and university teacher Beaumont Newhall has not enjoyed an excellent reputation for quite a while now. 1982 seemed to mark a watershed for him.</p>

Lowering the Sights?

Thursday, 04.06.2020
<p>Right at the <a href="https://www.fotomuseum.ch/en/explore/still-searching/articles/157220_the_bigger_picture" target="_blank" rel="noopener">beginning of my blog series</a>, I asked: Do you read histories of photography? Having myself in mind, I suggested an answer: rather not, at least not from cover to cover. In <a href="https://www.fotomuseum.ch/en/explore/still-searching/articles/157223_beyond_newhall" target="_blank" rel="noopener">my second post</a>, I focused on a particular model of writing photo history that I attributed to Beaumont Newhall and his interest in an art historical point of view. Despite forty years of criticism directed at this model, it seems to be hard to conceive alternatives.</p>
Blog series: What Can Photography Do?

Hilde Van Gelder | 01.06. – 14.07.2012
What Can Photography Do?

In her blog series What Can Photography Do, the current blogger Hilde van Gelder will examine art photography’s mobilizing potential in contemporary reality. She will investigate why artists use photographs in order to engage in critical debates about urgent political, economic and ecological issues for today’s society. On a more proactive level, the blog series wants to contribute to understanding how photography as art ― including the moving image ― performs as a constructive actor to rethink and reinvent human solidarity. Several concrete examples of photographic art works are used in order to provide a theoretical framework. The various consequences that artistic choices entail for the world views encapsulated within the proposed images, are carefully scrutinized. The blog series thus aims to raise collective discussion about the profound insights that photographs offer for both visualizing and imagining a renewed understanding of the concept of humanity. As such, this blog series is actively committed to thinking the multiple humanities of the future.

What Has Photography Done?

Thursday, 31.05.2012
<p>In order to grasp what photography can do as an art today, I want to start with looking back, asking ourselves the question: what has photography done so far? What relevant lessons can we learn from photography’s past? Before which carts has photography been put – so to say – ever since it was invented? What intentions has it served, both within the art world and outside of it, in its relation to society? Reflecting on photography’s historical trajectory as an artistic medium is helpful when one wishes to imagine what photography’s future roles can be.</p>