Nicht nur die Fotografie, sondern auch ihre Theorie und Geschichtsschreibung erfahren unter digitalen Bedingungen eine radikale Erweiterung. Fotografische Medien und Formen sind in komplexe technologische, kapitalistische und ideologische Netzwerke eingebunden; Expert_innen, die die Rolle fotografischer Bilder wissenschaftlich untersuchen, kommen entsprechend aus ganz unterschiedlichen Disziplinen. Die Erweiterung des Diskurses um fotografische Bilder bildet sich auch auf dem Theorie-Blog Still Searching… des Fotomuseum Winterthur ab, der sich seit 2012 interdisziplinär mit allen Aspekten der Fotografie und ihrer Rolle in der visuellen Kultur beschäftigt. Eingeladene Blogger_innen des Online- Formats bewegen sich an vorderster Front der Forschung und schärfen unseren Blick für die aktuellen und relevanten Fragestellungen rund um die Fotografie.
Claire Bishop | 15.09. – 31.10.2013
Claire Bishop is blogging about ‚modernist revisitations‘ – or, in her own words: „Sometimes it feels as if every art magazine I open, and every exhibition I visit, features at least one artist whose work earnestly addresses ‘failed utopias’, who is fascinated by ‘Modernist movements and collectives’, who is committed to ‘the re-enactment of historic high Modernist principles’, or who is drawn to ‘forgotten Modernist constructions that have crumbled over time’. Why this incessant retrospectivity? Are these revisitations in any way political, a response to the limitations of postmodern eclecticism? Or should they be viewed more critically, as an avoidance of contemporary politics by escaping into nostalgia celebration of the past? My blog hopes to raise some questions about the ubiquitous genre of modernist utopias in contemporary art.“
George Baker | 01.06. – 15.07.2013
George Baker will write around the idea of thinking or theorizing “photographic relationality.” We think of photography, so often, in terms of what Rosalind Krauss called a “theory of gaps”: the photograph as an operation of visual isolation, framing, cropping, freezing an object as a motionless specimen. But the vaunted “doubling” in which photography has been involved is also the creation of a relationship; the photograph’s “indexical” tie to the world a bond or affective tie more than a simple technical effect, and one that still needs further thought and description. Touching upon specific photographs and photographers, pushing forward from the implications of select contemporary artistic practices engaged with photography, I want to think about the relational status and potential of photography over its longer history. I want to write a set of speculative entries on the photograph as an image-couple more than the photograph as image-double – theorizing photographic linkage over technological reproducibility as the central promise of photography today. A set of entries imagining an affective theory of photography, building upon thoughts on photography and love from Roland Barthes to Eduardo Cadava.
Geoffrey Batchen | 15.09. – 31.10.2012
Photography and Dissemination
Photo thinker Geoffrey Batchen will write about photography and dissemination:
„The theme of my contribution to Still Searching is inspired by Walter Benjamin’s famous essay ‘The Work of Art in the Age of its Technological Reproducibility’ (1935-36). Or, rather, it is inspired by the striking absence of discussions of reproduction and its effects in the literature about photography since this essay first appeared. So I guess I am searching, in the first instance, for the reasons for this absence, given that Benjamin’s essay has been made compulsory reading for a generation of students and is one of the most cited in serious texts about the photographic experience. But I am also interested in beginning to explore the ramifications of photography’s relationship to reproducibility for our understanding of this medium’s history. How has reproducibility manifested itself in photographic practice and experience? What have been the effects of these manifestations? What kind of history would have to be written to encompass these questions? The invention of this history—of a mode of representation capable of doing justice to these questions–is ultimately what I am ‘still searching’ for.“
Hilde Van Gelder | 01.06. – 14.07.2012
What Can Photography Do?
In her blog series What Can Photography Do, the current blogger Hilde van Gelder will examine art photography’s mobilizing potential in contemporary reality. She will investigate why artists use photographs in order to engage in critical debates about urgent political, economic and ecological issues for today’s society. On a more proactive level, the blog series wants to contribute to understanding how photography as art ― including the moving image ― performs as a constructive actor to rethink and reinvent human solidarity. Several concrete examples of photographic art works are used in order to provide a theoretical framework. The various consequences that artistic choices entail for the world views encapsulated within the proposed images, are carefully scrutinized. The blog series thus aims to raise collective discussion about the profound insights that photographs offer for both visualizing and imagining a renewed understanding of the concept of humanity. As such, this blog series is actively committed to thinking the multiple humanities of the future.