Still Searching…

Von 2012 bis 2023 beschäftigte sich der Diskurs-Blog des Fotomuseum Winterthur interdisziplinär mit allen Aspekten der Fotografie und ihrer Rolle in der visuellen Kultur. Die insgesamt fast 50 eingeladenen Blogger_innen von Still Searching…  diskutierten fotografische Medien und Formen als Bestandteil komplexer technologischer, kapitalistischer und ideologischer Netzwerke und verhandelten aktuellste und relevante Fragestellungen rund um die Fotografie.

Blog series: Processing

Sean Cubitt | 05.03.2017 – 29.02.2024
Processing

The photographic image introduced a radical new proposition about representation. Drawing, painting and printmaking required prolonged contemplation of subjects. The long exposures of early photography seemed to parallel that durational encounter. But the appearance of the snapshot changed that. The photogram was an isolated moment singled out that provided a new aesthetic and a new ethical quandary about the instant seized abruptly from the flow of time. The moving image may be seen as an attempt to heal this trauma in the flux of time, but one that created new modes of temporal alienation. Digital imaging, still and moving, alters the conditions of the photogram, bringing it closer to the processing of scientific instruments. In his blog series, thinking ahead of a proposed new avenue of research into the aesthetic politics of truth, Sean Cubitt draws on thinkers from Flusser to Badiou to consider the changing nature and function of time from the decisive moment to data visualisation.

Image + After I: Photography as Print and as Scientific Instrument

Montag, 09.01.2017
<p>There is a well-known theory on the left concerning British history known as the Nairn-Anderson thesis named after two of its protagonists. Tom Nairn and Perry Anderson traced the peculiarities of the British state to the failure of the country to complete its revolution. Perhaps something similar has to be said about photography. At many points in its history, photography has been on the brink of revolutionising the very concept of the image; and yet the old still maintains its place – like the British monarchy.</p>

Image + After 2: From Truth to Ethics

Mittwoch, 18.01.2017
<p>In my last post I argued that the gradual move of photography from random scatters of molecules to formal grids marks its assimilation into formal modernity. Before leaping to this conclusion, it is important as well to reflect on photography’s place among scientific instruments, one of the major ways it was understood in its early period. <a href="http://press.uchicago.edu/ucp/books/book/chicago/I/bo3710110.html" target="_blank" rel="noopener">Peter Galison</a> makes a distinction between image and logic as two principles of scientific observation.</p>

Problems of Happy Images

Montag, 30.01.2017
<p>I ended my <a href="https://www.fotomuseum.ch/de/explore/still-searching/articles/29961_image_after_2_from_truth_to_ethics" target="_blank" rel="noopener">last post</a> with the ethical and political demand for happiness for all. Yes, it is a radical demand. Our world is not a very happy place; and each of us has been schooled, by religion, politics, and what we like to call reality, that we have to put up with pain in the hope of something better coming along when we get to heaven or pay off our debts. Both prospects, in reality, are equally distant. Which means that we have schooled ourselves to accept unhappiness as the nature of life. Casting that off is a huge psychological task, let alone the immense political revolution that would have to happen to realise happiness for everyone.</p>

The Mass Image

Donnerstag, 09.02.2017
<p>I wrote in <a href="https://www.fotomuseum.ch/de/explore/still-searching/articles/29982_problems_of_happy_images" target="_blank" rel="noopener">my previous post</a> that individual images use the unavoidable division between being and appearance to create negative images of the world, and thereby to create glimpses of happiness as the opposite of the world we inhabit. That seems to be as true of individual prints or photographs as it is of unique paintings and drawings. But can the same be said of images in the mass?</p>

The Image Withheld

Mittwoch, 15.02.2017
<p>All that distinguishes a photo as image and a photo as component of the mass image is the simple act of attention. Among all the billion images uploaded, stashed or discarded, only a tiny few secure even a few moments of active contemplation.</p>

Assembling Photographs

Mittwoch, 22.02.2017
<p>Looking at animals is like looking at photographs. Or at least, looking at familiar animals like dogs and cats and horses is like looking at photos. They offer themselves up to us, but they expect us to respond as well. Pictures are the same. As W.J.T. Mitchell asked some years ago, whenever we try to get something from images, we should also ask <a href="http://www.press.uchicago.edu/ucp/books/book/chicago/W/bo3534152.html" target="_blank" rel="noopener">“What do pictures want?”</a> There is a yearning for comprehension on both sides. There is so much each can understand about the other, but only so much.</p>