Tag, processes
2. What I Talk about When I Talk about Photography

If one thinks about photography in medium-specific terms, digitization actually hasn’t introduced any significant challenges to the essence of the photographic moment. Cameras and iPhones that produce digital photographs still contain optical lenses that record light from which an image is generated.1The lenses of the digital devices presently used may have regressed in terms of quality, as Hito Steyerl argues in her text “Proxy Politics: Signal and Noise,” and consequently the process of creating an image increasingly relies on algorithmic computations based on a network of visually proximate images. Nevertheless, the optical lens continues to be a necessary component in the creation of a photographic image, despite Steyerl’s convincing argument that algorithms co-write the photographic image by comparing it to already existing images. As such, photography becomes speculative and relational. Hito Steyerl, “Proxy Politics: Signal and Noise,” in e-flux journal #60 (December 2014), http://www.e-flux.com/journal/proxy-politics/. What has changed, however, is the process of image creation that directly follows from this moment. Whereas analogue photography registered light on paper and in this way created an image, digital photography translates light into data out of which an image is calculated. more

Published: 30.03.2015
1. Two Radically Disjunct Approaches

This is the first of five blogs I will be writing for the Fotomuseum Winterthur and, as it happens, the first I have ever written. But because almost everything I write is done on commission, the daunting freedom provided by this kind of blog (“write anything on photography”) is more intimidating than exhilarating. Given such freewheeling editorial liberty, I had to decide whether to orient this first blog to the “general,” or to the “particular.” Both approaches have their problems. As soon as photography is invoked as a generality, that is, as an abstraction (as though its technologies, uses, and practices could be considered one thing), differences are flattened, history disappears, context vanishes. But to write about a particular photographer, body of work, or specific exhibition, seemed too close generically to a journalistic review and a blog need not simply ape the conventional form of arts journalism. more

Published: 15.04.2014