Tag, Buehler
5. Remnants of the Index: Hanging on to Photographic Values – The Installation Shot

Having reflected on the selfie and how it connects to the canonical qualities attributed to the analogue photograph, in this last blog post, which concludes my series of posts for the “still searching” blog, I will discuss the installation shot as a second example of how traditional values associated with the classic photographic image continue to live on as part of online culture. more

Published: 27.04.2015
4. Remnants of the Index: Hanging on to Photographic Values – The Selfie

My last two blog posts, entitled Remnants of the Index: Hanging on to Photographic Values, will each focus on the legacy and the importance of iconic photographic values. The first does so through a discussion of the selfie, while the second considers the installation shot. more

Published: 20.04.2015
3. Online Image Behavior, Where Photographs Live Today

Whereas the relation between reality and representation was a key concern of classical photography, now, as photography has become digital, the focus has shifted from this single relation to a multiplicity of relations that extend from a photograph. Value is no longer primarily derived from the special relation between the object in front of the lens and the way it is depicted in the photograph, but it is generated by the multiplicities of image visualizations and variations branching off from the initial moment of capture.1Part of this value is also accrued through the generation of metadata. This is the central point of Katrina Sluis and Daniel Rubinstein’s paper titled “Notes on the Margins of Metadata; Concerning the Undecidability of the Digital Image.” In this article, the authors claim that meaning and consequently value is not generated “through indexicality or representation but through the aggregation and topologies of data.” Daniel Rubinstein and Katrina Sluis (2013) “Notes on the Margins of Metadata; Concerning the Undecidability of the Digital Image,” Photographies 6 (1), pp. 151–158. http://ualresearchonline.arts.ac.uk/6238/1/DR_KS_Notes_on_the_Margins_of_Metadata.pdf When uploaded, as the artist Kari Altmann aptly describes this process, “the image might aim to move more anonymously in a swarm of similar content. more

Published: 08.04.2015
2. What I Talk about When I Talk about Photography

If one thinks about photography in medium-specific terms, digitization actually hasn’t introduced any significant challenges to the essence of the photographic moment. Cameras and iPhones that produce digital photographs still contain optical lenses that record light from which an image is generated.1The lenses of the digital devices presently used may have regressed in terms of quality, as Hito Steyerl argues in her text “Proxy Politics: Signal and Noise,” and consequently the process of creating an image increasingly relies on algorithmic computations based on a network of visually proximate images. Nevertheless, the optical lens continues to be a necessary component in the creation of a photographic image, despite Steyerl’s convincing argument that algorithms co-write the photographic image by comparing it to already existing images. As such, photography becomes speculative and relational. Hito Steyerl, “Proxy Politics: Signal and Noise,” in e-flux journal #60 (December 2014), http://www.e-flux.com/journal/proxy-politics/. What has changed, however, is the process of image creation that directly follows from this moment. Whereas analogue photography registered light on paper and in this way created an image, digital photography translates light into data out of which an image is calculated. more

Published: 30.03.2015
1. Introduction

For this blog, I will address a number of ideas about the contemporary role of photography within digital culture and artistic practice. With the photographic image having become firmly established as the predominant form of online image, photography is now an increasingly pervasive mode of cultural production. As a result, it is important to explore the role of digital photography within the context of photography as both an artistic medium and a specialized field that has emerged over the course of the last two centuries.


Published: 16.03.2015