Tag, animal
09.01.–05.03.2017
5. The Image Withheld

All that distinguishes a photo as image and a photo as component of the mass image is the simple act of attention. Among all the billion images uploaded, stashed or discarded, only a tiny few secure even a few moments of active contemplation. more

Published: 15.02.2017
0 comments
...
4. Dreams and Deserters of Aroofa, Tar Beach

Imagine if Ice-T, the notorious rapper of the track “Cop Killer” were a cop. 1 That, in fact, has been the case for the last 16 years – at least in his role as police detective Odafin Tutuola in one of the most successful U.S. television series of all time: Law & Order: Special Victims Unit. While Tutuola is the second-longest-serving cast member, it is only in the handful of episodes focusing on the only black member of the elite squad chasing rape victims that some information about his personal background is revealed. 2 One of these rare episodes is titled “Rooftop.” 3 Here we learn about Tutuola’s age indirectly: he was six years old when the 1968 riots following the assassination of Martin Luther King, Jr. hit the hood. And it is another “King” who will be found responsible for the rape and killing of black, underage girls on the rooftops of Harlem at the end of this episode: Malik “King” Harris, a music promoter, who uses his rhetorical skills to seduce women by pretending to enhance their career in the music business. While engaging in the plot of finding the perpetrator, this episode actually deals with the status of race relations after the American civil rights movement with a complex play of zootropes involved. more

Published: 28.07.2015
0 comments
3. Here are Lions

In ancient Roman maps, terra incognita at the edge of the Empire were marked with the notation hinc sunt leones – “here are lions”. Specific zootopes, animal-places as places of or for animals, are always connected to certain zootropes, animal metaphors and animal images. This is also the case for unknown places, to which the Roman maps seem to attest.

People, through their historically changing material and ideological practices, are part of this complex situation – along with animals and their practices. Animals thwart not only our dreams but also our bedrooms. They populate utopias and heterotopias, are assigned to certain topologies, and transcend them. Animals are ignored and loved, segregated and caged in, but nevertheless build relationships – with humans and other animals, architectures and cities, environments and ecologies. Werner Herzog’s film The Cave of Forgotten Dreams from 2010 gravitates poetically around this relationship in its search for “ecstatic truth” while dealing with the Chauvet Cave drawings in France. Dating back an estimated 30,000 years, the cave paintings are twice as old as any other visual artifacts of human history. Both the birth of man and the birth of art are depicted as one and the same act – a moment that supposedly was inextricably linked to animals and images of animals.

more

Published: 15.07.2015
0 comments
2. Towards a Theory of the Zoopolitical Unconscious

There are utopian spaces knitted into the fabric of the seemingly pessimistic film La Haine.1 One famous scene in La Haine condenses this “fleeting utopia”2 more then any other moment in the film: Hubert packages and smokes weed in his bedroom, listening to “That Loving Feeling,” sung by Isaac Hayes, and looks outside the window of his “rabbit hutch” (cage à lapins – as the identical flats of the cité are called). His gaze falls onto the inhabitants of the banlieue below. While the sound of a police helicopter immerses the social landscape in a tense mode of being watched by unfriendly eyes, Hubert’s gaze arrives at another window. Here we see a DJ, Cut Killer, positioning the loudspeakers by the window to sound outwards into the space between the buildings. The non-admission of young migrant men into discotheques is a recurring theme in banlieue films3 and also later in La Haine; here, the loudspeakers transform the open space of the banlieue into a grand dance floor.4Cut Killer stages an ingenious mix with samples of U.S. hip-hop artist KRS-One’s “Sound of the Police,” French rap formation Supreme NTM’s “Nique La Police” and Edith Piaf’s notorious “Je ne regrette rien.” more

Published: 27.06.2015
0 comments
1. Last Night, During the Riot, I Ran Into a Cow

Without cows and their appetite there would be no photography as we know it, argues Nicole Shukin in Animal Capital.1 The scientists at Kodak’s research laboratory had a problem at the beginning of the 20th century: The gelatin used by Kodak to bind light-sensitive agents to a base had produced results of poor quality. Only after mustard seeds had been added to the cows’ feed were satisfactory photographic results achieved. If cows hadn’t accepted their new diet, the photographic and cinematic history of the world would probably have been quite different.2 more

Published: 15.06.2015
0 comments
...
2. What I Talk about When I Talk about Photography

If one thinks about photography in medium-specific terms, digitization actually hasn’t introduced any significant challenges to the essence of the photographic moment. Cameras and iPhones that produce digital photographs still contain optical lenses that record light from which an image is generated.1The lenses of the digital devices presently used may have regressed in terms of quality, as Hito Steyerl argues in her text “Proxy Politics: Signal and Noise,” and consequently the process of creating an image increasingly relies on algorithmic computations based on a network of visually proximate images. Nevertheless, the optical lens continues to be a necessary component in the creation of a photographic image, despite Steyerl’s convincing argument that algorithms co-write the photographic image by comparing it to already existing images. As such, photography becomes speculative and relational. Hito Steyerl, “Proxy Politics: Signal and Noise,” in e-flux journal #60 (December 2014), http://www.e-flux.com/journal/proxy-politics/. What has changed, however, is the process of image creation that directly follows from this moment. Whereas analogue photography registered light on paper and in this way created an image, digital photography translates light into data out of which an image is calculated. more

Published: 30.03.2015
2 comments