Authors, David Cunningham
6. The Liberation of Things

I ended my last post with the suggestion that underlying the recent turn to the ‘object’ or ‘thing’ one might glimpse a certain ‘posthumanist’ anxiety – an anxiety occasioned by the degree to which capitalist modernity is a world “ruled by abstractions”, in the words of Marx; abstractions that have come to assume an objective reality which is ‘quasi-independent’ of the things, objects and individuals that constitute them, but which is not ‘material’ in any usual empirical sense. Such abstract social forms – money, the commodity, the value form – do not merely ‘conceal’ the ‘real’ social relations and objective networks constitutive of capitalism, but, on the contrary, actually are the ‘real’ relations that structure capitalist modernity as an increasingly global mode of social life encompassing human and non-human ‘things’ alike. The actual organisation of social and material relations is driven by a real abstraction that, far from being a question of mere faulty thinking or false consciousness, “moves within the object itself”. more

Published: 18.07.2016
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5. If Commodities Could Speak

“A commodity appears, at first sight, a very trivial thing, and easily understood”, writes Marx, famously, in the first chapter of Capital. “Its analysis shows that it is, in reality, a very queer thing, abounding in metaphysical subtleties and theological niceties”. For while, as an ‘ordinary’ object, “the table continues to be that common, everyday thing, wood”, “so soon as it steps forth as a commodity, it is changed into something transcendent. more

Published: 09.07.2016
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4. If Images Could Speak

In a recent contribution to the collection Documentary Across Disciplines, based on a series of events held at the Haus der Kulturen der Welt in Berlin between 2010 and 2014, Christopher Pinney begins his essay, entitled “Bruises and Blushes: Photography ‘Beyond’ Anthropology”, with a quotation from Barthes’ Camera Lucida: “Society is concerned to tame the Photograph, to temper the madness which keeps threatening to explode in the face of whoever looks at it”. more

Published: 17.06.2016
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3. If Things Could Speak

“What if things could speak? What would they tell us? Or are they speaking already and we just don’t hear them? And who is going to translate them?” It is such questions that Hito Steyerl suggests, in her 2006 article “The Language of Things”, are posed in an essay written ninety years earlier: Walter Benjamin’s posthumously published “On Language as Such and on the Language of Man”. Here, Steyerl argues, the great German philosopher and critic “develops the concept of a language of things”, where “there is a language of stones, pans and cardboard boxes. Lamps speak as if inhabited by spirits. Mountains and foxes are involved in discourse. High-rise buildings chat with each other. Paintings gossip”. more

Published: 13.06.2016
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2. The Return of the Real (Again)

In my previous post I tried to sketch out some of those questions provoked by a contemporary desire, in the words of Hito Steyerl, to side with and affirm the object. While this affirmation has coincided with a more general turn towards the object or thing in recent theoretical writing – and, consequently, away (or so it is said) from earlier concerns with language, text, discourse and sign – it has also been attached, in Steyerl and others, to a more specific call to rethink the character of 'the image', and of 'our' relationship to it, as one framed not by an “identification” with the image “as representation”, but precisely “with the image as thing”. more

Published: 27.05.2016
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1. Photography and the Language of Things

In her short 2010 text “A Thing Like You and Me”, Hito Steyerl traces what she describes as a shift from an “emancipatory practice” that would be tied to the “desire to become a subject” (of, say, politics or history) to the emergence, today, of a “different possibility”: “How about siding with the object for a change? Why not affirm it? Why not be a thing?” more

Published: 18.05.2016
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