Still Searching…

From 2012 to 2023, the discursive blog format of Fotomuseum Winterthur subjected all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The approximately 50 bloggers that contributed to Still Searching… discussed photographic media and forms within their complex technological, capitalist and ideological networks and negotiated some of the most pressing and relevant questions surrounding photography.

Blog series: The Relation between Photography in General and Photographs in Particular

David Campany | 15.04. – 31.05.2013
The Relation between Photography in General and Photographs in Particular

During the next six weeks, our “blogger in residence” David Campany will write about the intricate relations between words and pictures, but also about the difference between thinking about photography in general and thinking about individual photographs: “The general and the particular. This is not unusual. The split has haunted photography at least since it became a mass medium and modern artistic medium in the 1920s. … When photographs are discussed in their absence, under the name ‘photography’ let’s say, the writer is more likely to take liberties with them than if they were there on the page/screen. The writer is also more likely to generalize.”

Photography and Photographs

Sunday, 14.04.2013
<div>My first post will be quite long but I will make up for it with shorter subsequent posts. I’m hoping they will add up to an essay on a single theme: the relation between photography in general and photographs in particular, although this may change in response to comments and contributions as we go.<br><br></div>

From One Photo to Another

Monday, 22.04.2013
<div>We rarely make or see photographs singularly. They come in sets, suites, series, sequences, pairings, iterations, photo-essays, albums, typologies, archives and so on. Daily experience involves moving between one image and another. Editing, the selection and arrangement of images, provides perhaps the most vital bridge between photographs in the particular and photography in general, although more so for image-makers and publishers than for critics and theorists, it seems.<br><br></div>

Backwards and Forwards

Thursday, 02.05.2013
<div>For many years I have been looking through the back issues of the 20th century’s illustrated press. Magazines, journals, newspapers. It is really impossible to write or teach the history of photography without doing this. The <em>Sunday Times Magazine</em> from March 24, 1968 carries, among other things, Don McCullin’s celebrated black and white images of soldiers in Vietnam - one throwing a grenade, another lying dead with his possessions spilling out.</div>

Optics and Desire

Friday, 17.05.2013
<div>In 1996 I was living in Brixton, south London, during a very hot summer. On July 12 Nelson Mandela came to visit and the crowds turned out to greet him in the thousands. I had been active in the anti-apartheid movement and gathered with some friends opposite the main sports hall where Mandela was due to arrive and address some local dignitaries. As Mandela and his entourage approached the steps of the hall the crowd was ecstatic. I had never seen such emotion and tears of joy.  <br><br></div>

Popular, not Populist

Monday, 27.05.2013
<div>My apologies for the extended silence. I have been putting the finishing touches to a book about the relation between popular culture, art and photography, which will also be the subject of this blog entry.<br><br></div><div><br><br></div>