Still Searching…

From 2012 to 2023, the discursive blog format of Fotomuseum Winterthur subjected all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The approximately 50 bloggers that contributed to Still Searching… discussed photographic media and forms within their complex technological, capitalist and ideological networks and negotiated some of the most pressing and relevant questions surrounding photography.

Index

Blog series: From Cows in French Banlieues to Pigeons in Popular Culture

Fahim Amir | 16.06. – 31.07.2015
From Cows in French Banlieues to Pigeons in Popular Culture

From June 16 until the end of July, Fahim Amir will write about the photographic depiction of unruly animals in the context of urban panic. He will engage with an exploration of animal spirits in the films La Haine and Ghost Dog: from cows in French banlieues to pigeons in popular culture.

Towards a Theory of the Zoopolitical Unconscious

Saturday, 27.06.2015
<div>There are utopian spaces knitted into the fabric of the seemingly pessimistic film <em>La Haine.</em> One famous scene in La Haine condenses this “fleeting utopia” more then any other moment in the film: Hubert packages and smokes weed in his bedroom, listening to “That Loving Feeling,” sung by Isaac Hayes, and looks outside the window of his “rabbit hutch” (cage à lapins – as the identical flats of the cité are called). <br><br></div>

Here are Lions

Wednesday, 15.07.2015
<div>In ancient Roman maps, terra incognita at the edge of the Empire were marked with the notation hinc sunt leones – “here are lions”. Specific zootopes, animal-places as places of or for animals, are always connected to certain zootropes, animal metaphors and animal images. This is also the case for unknown places, to which the Roman maps seem to attest.</div>

Godfeathers and Ghetto Doves

Tuesday, 04.08.2015
<div>In my previous blog post, it was a pigeon fancier that exonerated the innocent ex-convict Leon Tate, and a bite that exposed the wannabe music producer Malik “King” Harris as the wanted sexual predator who used the New York rooftops as his hunting grounds. <br><br></div>
Blog series: Modernist Revisitations

Claire Bishop | 15.09. – 31.10.2013
Modernist Revisitations

Claire Bishop is blogging about ‘modernist revisitations’ – or, in her own words: “Sometimes it feels as if every art magazine I open, and every exhibition I visit, features at least one artist whose work earnestly addresses ‘failed utopias’, who is fascinated by ‘Modernist movements and collectives’, who is committed to ‘the re-enactment of historic high Modernist principles’, or who is drawn to ‘forgotten Modernist constructions that have crumbled over time’. Why this incessant retrospectivity? Are these revisitations in any way political, a response to the limitations of postmodern eclecticism? Or should they be viewed more critically, as an avoidance of contemporary politics by escaping into nostalgia celebration of the past? My blog hopes to raise some questions about the ubiquitous genre of modernist utopias in contemporary art.”

Displaying Research

Friday, 11.10.2013
<p>Last week I promised a discussion of Goshka Macuga, whose new show at Andrew Kreps Gallery is yet another example of the retrospectivity trend I’ve been tracking in these blog posts. Macuga’s work synthesizes a number of points that addressed in previous weeks: the obsession with modernism, the archival character of contemporary installation art, and the display of information and research.</p>