Still Searching…

From 2012 to 2023, the discursive blog format of Fotomuseum Winterthur subjected all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The approximately 50 bloggers that contributed to Still Searching… discussed photographic media and forms within their complex technological, capitalist and ideological networks and negotiated some of the most pressing and relevant questions surrounding photography.

Blog series: What We Talk about When We Talk about Photography

Aveek Sen | 01.03. – 14.04.2012
What We Talk about When We Talk about Photography

Until mid-April, the current blogger Aveek Sen will “open up the discussion on photography towards a realm of the promiscuous – a word I steal from the lexicon of sexuality to use in relation to the creative process. By the ‘creative process’, I do not mean simply the making and showing of photographs, but the entire web of relationships that connects looking, thinking, reading, listening, remembering and everyday life. I believe that photography is most richly nourished by its promiscuous liaisons with the other arts and with certain kinds of art/music-haunted experience. I will focus particularly on literature (especially fiction and poetry) and cinema, using specific works to build up a way of thinking about photography. Moving the discussion beyond the Barthes/Benjamin/Sontag trinity that dominates writing on photography, I want to use other works of art as starting points for reflection and debate, blurring the conventional distinction between theory and practice.”

Theory versus Instinct

Wednesday, 07.03.2012
<p>Thank you Prateek, David, Ray, Martin and Stuart for your varied responses. With each I am tempted to take the blog in a different direction; but that might take promiscuity a little too far!</p> <p>The question of ‘theory’ comes up, in different ways, in the responses of both David and Stuart, and I found David’s notion of the blurring of lines between theory and literature, especially in the way Phillips reads Freud and Winnicott, particularly alluring and useful. I have always found Barthes’s <em>Lover’s Discourse</em> and <em>Incidents</em> more inspiring than <em>Camera Lucida</em>, for photographers as well as writers on photography – and inspiring in a more oblique, tangential way. (They could be read as Barthes’s great ballads of sexual dependency.) </p>