Still Searching…

From 2012 to 2023, the discursive blog format of Fotomuseum Winterthur subjected all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The approximately 50 bloggers that contributed to Still Searching… discussed photographic media and forms within their complex technological, capitalist and ideological networks and negotiated some of the most pressing and relevant questions surrounding photography.

Blog series: The Status of the Image in Digital Culture

Ingrid Hoelzl, Rémi Marie | 01.03. – 30.04.2016
The Status of the Image in Digital Culture

The current blog series are co-written by image theorists Ingrid Hoelzl and Rémi Marie. Until the end of April, they will reflect on the status of the image in digital culture. They will examine the shift from the humanist to the posthumanist programme of the image, in line with the shift from the geometric paradigm of the image (based on the linear perspective) to the algorithmic paradigm (introduced with digitalization). Hoelzl and Marie will discuss the central idea of their book Softimage (2015), the image as a software, and reflect on the status of the image in the age of autonomous machines – the postimage.

Softimage and Hardimage

Monday, 04.04.2016
<p>PS to our previous blog, <a href="http://www.fotomuseum.ch/en/explore/still-searching/articles/27022_on_the_invisible_image_and_algorithm" target="_blank" rel="noopener">“On the Invisible (Image and Algorithm)”</a>.  As a friend suggested, we should have imagined Paglen’s photo of a secret military base in the so-called top-secret lab run by Sergey Brin “in an undisclosed Bay Area location”: here is the place for thinking about secrecy. In fact, Google seems intentionally to be creating an atmosphere of mystery around “a pair of otherwise ordinary two-story red-brick buildings about a half-mile from Google’s main campus” <span class="frzfn fn"><span class="marker">1</span><span class="text">Brad Stone, “Inside Google’s Secret Lab, Google X’s Silicon Valley Nerd Heaven – America’s Last Great Corporate Research Lab”, <em>Bloomberg.com/news</em>, 29 May 2013, <a href="http://www.bloomberg.com/news/articles/2013-05-22/inside-googles-secret-lab">http://www.bloomberg.com/news/articles/2013-05-22/inside-googles-secret-lab</a></span></span>. It is impossible to find much information on Google (sic!) apart from two journal articles. In the one published in <em>The New York Times</em> in 2011 we can read: “It’s a place where your refrigerator could be connected to the Internet, so it could order groceries when they ran low. Your dinner plate could post to a social network what you’re eating. Your robot could go to the office while you stay home in your pajamas. And you could, perhaps, take an elevator to outer space.” <span class="frzfn"><span class="marker">2</span><span class="text">Claire Cain Miller and Nick Biltonnov, “Google’s Lab of Wildest Dreams”, <em>The New York Times</em>, 13 November 2011.</span></span></p>
Blog series: Marvin Heiferman

Marvin Heiferman | 01.11. – 15.12.2013
Marvin Heiferman

In his blog series, Marvin Heiferman will take a broad look at the medium as it is changing and being redefined, and consider the issues in and around the medium that are provocative. Rather than understanding photography as a medium in crisis, as some people seem so eager to suggest, Heiferman sees photography in the midst of being re-imagined – this is will be his starting point to look at and talk about over the course of his blogging period. He will use news reports and stories about topical images, events, and issues in visual culture as the basis for taking a weekly look at how photography and our relationship to it are changing. He will link to stories, write about the issues that they raise, and invite readers to take an active role in the discussion. 

Photography, She Said, Makes Me Nervous

Tuesday, 03.12.2013
<div>Decades ago, when I wanted to be a painter and also needed a job, I thought it might be good to get some hands-on art world experience. I went to a number of galleries to inquire if there might be any positions and—in the era before MFA, museum studies, and arts administration programs made that crazily competitive—was hired by Harold Jones, the founding director of LIGHT Gallery, which had recently opened on Madison Avenue. Harold, who had spotted me looking at shows there previously, took a chance, hired me, and in ways I still marvel at, changed the course of my life.<br><br></div>

I, It, We, and They See You

Friday, 13.12.2013
<div>In <em>Blue Nights</em>, a 2011 book in which Joan Didion struggles to come to terms with her daughter’s death, she relates how, when she was briefly hospitalized herself, doctors urged her to undergo a medical procedure:<br><br></div><div><em>I recall resisting: since I had never in my life been able to swallow an aspirin it seemed unlikely that I could swallow a camera.</em><br><br></div><div><em>“Of course you can, it’s only a little camera.”</em><br><br></div><div><br></div>