The conditions governing the digital world have led to a radical diversification not only in photography but also in the theory that underpins it and the history that is written about it. Photographic media and forms are incorporated into complex tech technological, capitalist and ideological networks; the experts who are conducting scholarly research into the role of photographic images thus come from very different disciplines. The expansion of the discourse surrounding these images is also reflected in Still Searching…, the blog on photographic theory that was initiated by Fotomuseum Winterthur in 2012 and which subjects all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The bloggers invited to the online format operate at the forefront of research and enhance our awareness of current issues that are relevant to photography.
Melanie Bühler | 16.03. – 30.04.2015
Ideas about the Contemporary Role of Photography within Digital Culture and Artistic Practice
From mid-March till the end of April, Melanie Bühler’s blog series will address a number of ideas about the contemporary role of photography within digital culture and artistic practice. She will also examine the role of digital photography within the context of photography as both an artistic medium and a specialized discipline and explore how networked photographic practices are reflected in the work of contemporary artists.
Online Image Behavior, Where Photographs Live Today
Ekaterina Degot | 01.11. – 15.12.2014
Photography versus Contemporary Art
Until December 15 the curator, writer and professor Ekaterina Degot will explore some of the paradoxes inherent to the complex relations between photography and so-called contemporary art.
Photography versus Contemporary Art: The Case of the Lecture Performance
Markus Hartmann | 15.09. – 31.10.2014
Past, Present and Future of the Photo Book
Until October 31 Markus Hartmann, the former publishing director of Hatje Cantz will be thinking about the past, present and future of the photo book:
“Making and selling books was (and still is) a commercial venture, similar to the gallery business. I mention this because a lot of people from the inner circles of the art world do not have the same understanding and see their work or other works and exhibitions from a more idealistic point of view. I was accustomed to thinking about money and budgets when publishing books, and seldom had the opportunity to make books without such constraints. This is one reason why my contributions to this blog will focus more on the business side of making photo books than contributions from historians, researchers, curators, etc.”
What Works in the Photo Book World Today and What no Longer Works?
Honoring Two Great Photo Book Publishers: Gigi Giannuzzi and Walter Keller
Distribution and Money, the Frankfurt Book Fair and the PhotoBookMuseum, Cologne
On Digital and Analogue Books and a Possible Scenario for the Future
Geoffrey Batchen | 15.09. – 31.10.2012
Photography and Dissemination
Photo thinker Geoffrey Batchen will write about photography and dissemination:
“The theme of my contribution to Still Searching is inspired by Walter Benjamin’s famous essay ‘The Work of Art in the Age of its Technological Reproducibility’ (1935-36). Or, rather, it is inspired by the striking absence of discussions of reproduction and its effects in the literature about photography since this essay first appeared. So I guess I am searching, in the first instance, for the reasons for this absence, given that Benjamin’s essay has been made compulsory reading for a generation of students and is one of the most cited in serious texts about the photographic experience. But I am also interested in beginning to explore the ramifications of photography’s relationship to reproducibility for our understanding of this medium’s history. How has reproducibility manifested itself in photographic practice and experience? What have been the effects of these manifestations? What kind of history would have to be written to encompass these questions? The invention of this history—of a mode of representation capable of doing justice to these questions–is ultimately what I am ‘still searching’ for.”