The conditions governing the digital world have led to a radical diversification not only in photography but also in the theory that underpins it and the history that is written about it. Photographic media and forms are incorporated into complex tech technological, capitalist and ideological networks; the experts who are conducting scholarly research into the role of photographic images thus come from very different disciplines. The expansion of the discourse surrounding these images is also reflected in Still Searching…, the blog on photographic theory that was initiated by Fotomuseum Winterthur in 2012 and which subjects all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The bloggers invited to the online format operate at the forefront of research and enhance our awareness of current issues that are relevant to photography.
T.J. Demos | 01.05. – 15.06.2015
From the beginning of May until June 15, T.J. Demos (professor in the Department of the History of Art and Visual Culture, and director of the Center for Creative Ecologies, at the University of California, Santa Cruz) is planning to engage with the relation between photography and ecology, specifically thinking about the so-called anthropocene and its limits and problems, and how these are negotiated and positioned photographically.
Geo-Engineering the Anthropocene
Melanie Bühler | 16.03. – 30.04.2015
Ideas about the Contemporary Role of Photography within Digital Culture and Artistic Practice
From mid-March till the end of April, Melanie Bühler’s blog series will address a number of ideas about the contemporary role of photography within digital culture and artistic practice. She will also examine the role of digital photography within the context of photography as both an artistic medium and a specialized discipline and explore how networked photographic practices are reflected in the work of contemporary artists.
Remnants of the Index: Hanging on to Photographic Values – The Selfie
George Baker | 01.06. – 15.07.2013
George Baker will write around the idea of thinking or theorizing “photographic relationality.” We think of photography, so often, in terms of what Rosalind Krauss called a “theory of gaps”: the photograph as an operation of visual isolation, framing, cropping, freezing an object as a motionless specimen. But the vaunted “doubling” in which photography has been involved is also the creation of a relationship; the photograph’s “indexical” tie to the world a bond or affective tie more than a simple technical effect, and one that still needs further thought and description. Touching upon specific photographs and photographers, pushing forward from the implications of select contemporary artistic practices engaged with photography, I want to think about the relational status and potential of photography over its longer history. I want to write a set of speculative entries on the photograph as an image-couple more than the photograph as image-double – theorizing photographic linkage over technological reproducibility as the central promise of photography today. A set of entries imagining an affective theory of photography, building upon thoughts on photography and love from Roland Barthes to Eduardo Cadava.
David Campany | 15.04. – 31.05.2013
The Relation between Photography in General and Photographs in Particular
During the next six weeks, our “blogger in residence” David Campany will write about the intricate relations between words and pictures, but also about the difference between thinking about photography in general and thinking about individual photographs: “The general and the particular. This is not unusual. The split has haunted photography at least since it became a mass medium and modern artistic medium in the 1920s. … When photographs are discussed in their absence, under the name ‘photography’ let’s say, the writer is more likely to take liberties with them than if they were there on the page/screen. The writer is also more likely to generalize.”