The conditions governing the digital world have led to a radical diversification not only in photography but also in the theory that underpins it and the history that is written about it. Photographic media and forms are incorporated into complex tech technological, capitalist and ideological networks; the experts who are conducting scholarly research into the role of photographic images thus come from very different disciplines. The expansion of the discourse surrounding these images is also reflected in Still Searching…, the blog on photographic theory that was initiated by Fotomuseum Winterthur in 2012 and which subjects all aspects of photography and its role in visual culture to interdisciplinary scrutiny. The bloggers invited to the online format operate at the forefront of research and enhance our awareness of current issues that are relevant to photography.
Melanie Bühler | 16.03. – 30.04.2015
Ideas about the Contemporary Role of Photography within Digital Culture and Artistic Practice
From mid-March till the end of April, Melanie Bühler’s blog series will address a number of ideas about the contemporary role of photography within digital culture and artistic practice. She will also examine the role of digital photography within the context of photography as both an artistic medium and a specialized discipline and explore how networked photographic practices are reflected in the work of contemporary artists.
What I Talk about When I Talk about Photography
Online Image Behavior, Where Photographs Live Today
Remnants of the Index: Hanging on to Photographic Values – The Selfie
Remnants of the Index: Hanging on to Photographic Values – The Installation Shot
Ekaterina Degot | 01.11. – 15.12.2014
Photography versus Contemporary Art
Until December 15 the curator, writer and professor Ekaterina Degot will explore some of the paradoxes inherent to the complex relations between photography and so-called contemporary art.
Photography versus Contemporary Art: What’s Next?
Abigail Solomon-Godeau | 16.04. – 31.05.2014
Starting on April 15, 2014, the American art critic and professor emerita Abigail Solomon-Godea, will reflect on a selection of the exhibitions (i.e., the particular) viewed in the past couple of weeks and try to distill, or extract, something that might count as some valid generalities about photographic practice and photographic discourse in their current manifestations.
Boundary Problems: Addressing History in the Image
A Tale of Two Mapplethorpes
David Campany | 15.04. – 31.05.2013
The Relation between Photography in General and Photographs in Particular
During the next six weeks, our “blogger in residence” David Campany will write about the intricate relations between words and pictures, but also about the difference between thinking about photography in general and thinking about individual photographs: “The general and the particular. This is not unusual. The split has haunted photography at least since it became a mass medium and modern artistic medium in the 1920s. … When photographs are discussed in their absence, under the name ‘photography’ let’s say, the writer is more likely to take liberties with them than if they were there on the page/screen. The writer is also more likely to generalize.”
Popular, not Populist
Walead Beshty | 15.04. – 31.05.2012
Exceptional Position of Photography within the (Art) World
Walead Beshty, the internationally known photographer, professor and writer who lives and works in Los Angeles, will be blogging for us until the end of May 2012. Beshty’s concern is the exceptional position of photography within the (art) world today. Why is it “that a medium that was born less than two hundred years ago, in the midst of the industrial revolution, would be the primary contemporary vehicle of the western pictorial tradition?” In his blog series Beshty will “sketch out this theoretical problem, and reexamine the assumptions associated with that loose collection of practices and theories that we call the photographic, and attempt to propose broader, and perhaps more dynamic tools through which to understand it. This process seems best begun with a discussion of the functional construction of the category of photography.”
Toward a Museum of Convention
Aveek Sen | 01.03. – 14.04.2012
What We Talk about When We Talk about Photography
Until mid-April, the current blogger Aveek Sen will “open up the discussion on photography towards a realm of the promiscuous – a word I steal from the lexicon of sexuality to use in relation to the creative process. By the ‘creative process’, I do not mean simply the making and showing of photographs, but the entire web of relationships that connects looking, thinking, reading, listening, remembering and everyday life. I believe that photography is most richly nourished by its promiscuous liaisons with the other arts and with certain kinds of art/music-haunted experience. I will focus particularly on literature (especially fiction and poetry) and cinema, using specific works to build up a way of thinking about photography. Moving the discussion beyond the Barthes/Benjamin/Sontag trinity that dominates writing on photography, I want to use other works of art as starting points for reflection and debate, blurring the conventional distinction between theory and practice.”