Still Searching…
Von 2012 bis 2023 beschäftigte sich der Diskurs-Blog des Fotomuseum Winterthur interdisziplinär mit allen Aspekten der Fotografie und ihrer Rolle in der visuellen Kultur. Die insgesamt fast 50 eingeladenen Blogger_innen von Still Searching… diskutierten fotografische Medien und Formen als Bestandteil komplexer technologischer, kapitalistischer und ideologischer Netzwerke und verhandelten aktuellste und relevante Fragestellungen rund um die Fotografie.
Melanie Bühler | 16.03. – 30.04.2015
Ideas about the Contemporary Role of Photography within Digital Culture and Artistic Practice
From mid-March till the end of April, Melanie Bühler’s blog series will address a number of ideas about the contemporary role of photography within digital culture and artistic practice. She will also examine the role of digital photography within the context of photography as both an artistic medium and a specialized discipline and explore how networked photographic practices are reflected in the work of contemporary artists.
What I Talk about When I Talk about Photography
Abigail Solomon-Godeau | 16.04. – 31.05.2014
Abigail Solomon-Godeau
A Tale of Two Mapplethorpes
George Baker | 01.06. – 15.07.2013
Photographic Relationality
George Baker will write around the idea of thinking or theorizing “photographic relationality.” We think of photography, so often, in terms of what Rosalind Krauss called a “theory of gaps”: the photograph as an operation of visual isolation, framing, cropping, freezing an object as a motionless specimen. But the vaunted “doubling” in which photography has been involved is also the creation of a relationship; the photograph’s “indexical” tie to the world a bond or affective tie more than a simple technical effect, and one that still needs further thought and description. Touching upon specific photographs and photographers, pushing forward from the implications of select contemporary artistic practices engaged with photography, I want to think about the relational status and potential of photography over its longer history. I want to write a set of speculative entries on the photograph as an image-couple more than the photograph as image-double – theorizing photographic linkage over technological reproducibility as the central promise of photography today. A set of entries imagining an affective theory of photography, building upon thoughts on photography and love from Roland Barthes to Eduardo Cadava.