Still Searching…
Von 2012 bis 2023 beschäftigte sich der Diskurs-Blog des Fotomuseum Winterthur interdisziplinär mit allen Aspekten der Fotografie und ihrer Rolle in der visuellen Kultur. Die insgesamt fast 50 eingeladenen Blogger_innen von Still Searching… diskutierten fotografische Medien und Formen als Bestandteil komplexer technologischer, kapitalistischer und ideologischer Netzwerke und verhandelten aktuellste und relevante Fragestellungen rund um die Fotografie.
Melanie Bühler | 16.03. – 30.04.2015
Ideas about the Contemporary Role of Photography within Digital Culture and Artistic Practice
From mid-March till the end of April, Melanie Bühler’s blog series will address a number of ideas about the contemporary role of photography within digital culture and artistic practice. She will also examine the role of digital photography within the context of photography as both an artistic medium and a specialized discipline and explore how networked photographic practices are reflected in the work of contemporary artists.
Remnants of the Index: Hanging on to Photographic Values – The Installation Shot
David Campany | 15.04. – 31.05.2013
The Relation between Photography in General and Photographs in Particular
During the next six weeks, our „blogger in residence“ David Campany will write about the intricate relations between words and pictures, but also about the difference between thinking about photography in general and thinking about individual photographs: “The general and the particular. This is not unusual. The split has haunted photography at least since it became a mass medium and modern artistic medium in the 1920s. … When photographs are discussed in their absence, under the name ‘photography’ let’s say, the writer is more likely to take liberties with them than if they were there on the page/screen. The writer is also more likely to generalize.”
Photography and Photographs
Sophie Berrebi | 01.03. – 14.04.2013
What Remains of the Photographic beyond Photography
Sophie Berrebi will be looking for what remains of the photographic beyond photography. Or in her own words: „This is what I would like to explore in the next few weeks: What remains when photography transforms itself? How does technological modification trigger ontological change – if at all – and how does this translate into the way we apprehend pictures as producers, sitters, and viewers? In short, what interests me is how photography has taught us to look and what remains of the photographic beyond photography.“
The Opacity of Photography
Walead Beshty | 15.04. – 31.05.2012
Exceptional Position of Photography within the (Art) World
Walead Beshty, the internationally known photographer, professor and writer who lives and works in Los Angeles, will be blogging for us until the end of May 2012. Beshty’s concern is the exceptional position of photography within the (art) world today. Why is it “that a medium that was born less than two hundred years ago, in the midst of the industrial revolution, would be the primary contemporary vehicle of the western pictorial tradition?” In his blog series Beshty will “sketch out this theoretical problem, and reexamine the assumptions associated with that loose collection of practices and theories that we call the photographic, and attempt to propose broader, and perhaps more dynamic tools through which to understand it. This process seems best begun with a discussion of the functional construction of the category of photography.”