Nicht nur die Fotografie, sondern auch ihre Theorie und Geschichtsschreibung erfahren unter digitalen Bedingungen eine radikale Erweiterung. Fotografische Medien und Formen sind in komplexe technologische, kapitalistische und ideologische Netzwerke eingebunden; Expert_innen, die die Rolle fotografischer Bilder wissenschaftlich untersuchen, kommen entsprechend aus ganz unterschiedlichen Disziplinen. Die Erweiterung des Diskurses um fotografische Bilder bildet sich auch auf dem Theorie-Blog Still Searching… des Fotomuseum Winterthur ab, der sich seit 2012 interdisziplinär mit allen Aspekten der Fotografie und ihrer Rolle in der visuellen Kultur beschäftigt. Eingeladene Blogger_innen des Online- Formats bewegen sich an vorderster Front der Forschung und schärfen unseren Blick für die aktuellen und relevanten Fragestellungen rund um die Fotografie.
George Baker | 01.06. – 15.07.2013
George Baker will write around the idea of thinking or theorizing “photographic relationality.” We think of photography, so often, in terms of what Rosalind Krauss called a “theory of gaps”: the photograph as an operation of visual isolation, framing, cropping, freezing an object as a motionless specimen. But the vaunted “doubling” in which photography has been involved is also the creation of a relationship; the photograph’s “indexical” tie to the world a bond or affective tie more than a simple technical effect, and one that still needs further thought and description. Touching upon specific photographs and photographers, pushing forward from the implications of select contemporary artistic practices engaged with photography, I want to think about the relational status and potential of photography over its longer history. I want to write a set of speculative entries on the photograph as an image-couple more than the photograph as image-double – theorizing photographic linkage over technological reproducibility as the central promise of photography today. A set of entries imagining an affective theory of photography, building upon thoughts on photography and love from Roland Barthes to Eduardo Cadava.
The Relational Field of Photography
David Campany | 15.04. – 31.05.2013
The Relation between Photography in General and Photographs in Particular
During the next six weeks, our „blogger in residence“ David Campany will write about the intricate relations between words and pictures, but also about the difference between thinking about photography in general and thinking about individual photographs: “The general and the particular. This is not unusual. The split has haunted photography at least since it became a mass medium and modern artistic medium in the 1920s. … When photographs are discussed in their absence, under the name ‘photography’ let’s say, the writer is more likely to take liberties with them than if they were there on the page/screen. The writer is also more likely to generalize.”
Popular, not Populist
Walead Beshty | 15.04. – 31.05.2012
Exceptional Position of Photography within the (Art) World
Walead Beshty, the internationally known photographer, professor and writer who lives and works in Los Angeles, will be blogging for us until the end of May 2012. Beshty’s concern is the exceptional position of photography within the (art) world today. Why is it “that a medium that was born less than two hundred years ago, in the midst of the industrial revolution, would be the primary contemporary vehicle of the western pictorial tradition?” In his blog series Beshty will “sketch out this theoretical problem, and reexamine the assumptions associated with that loose collection of practices and theories that we call the photographic, and attempt to propose broader, and perhaps more dynamic tools through which to understand it. This process seems best begun with a discussion of the functional construction of the category of photography.”