Still Searching…

Von 2012 bis 2023 beschäftigte sich der Diskurs-Blog des Fotomuseum Winterthur interdisziplinär mit allen Aspekten der Fotografie und ihrer Rolle in der visuellen Kultur. Die insgesamt fast 50 eingeladenen Blogger_innen von Still Searching…  diskutierten fotografische Medien und Formen als Bestandteil komplexer technologischer, kapitalistischer und ideologischer Netzwerke und verhandelten aktuellste und relevante Fragestellungen rund um die Fotografie.

Index

Blog series: The Status of the Image in Digital Culture

Ingrid Hoelzl, Rémi Marie | 01.03. – 30.04.2016
The Status of the Image in Digital Culture

The current blog series are co-written by image theorists Ingrid Hoelzl and Rémi Marie. Until the end of April, they will reflect on the status of the image in digital culture. They will examine the shift from the humanist to the posthumanist programme of the image, in line with the shift from the geometric paradigm of the image (based on the linear perspective) to the algorithmic paradigm (introduced with digitalization). Hoelzl and Marie will discuss the central idea of their book Softimage (2015), the image as a software, and reflect on the status of the image in the age of autonomous machines – the postimage.

Softimage and Hardimage

Montag, 04.04.2016
<p>PS to our previous blog, <a href="http://www.fotomuseum.ch/en/explore/still-searching/articles/27022_on_the_invisible_image_and_algorithm" target="_blank" rel="noopener">“On the Invisible (Image and Algorithm)”</a>.  As a friend suggested, we should have imagined Paglen’s photo of a secret military base in the so-called top-secret lab run by Sergey Brin “in an undisclosed Bay Area location”: here is the place for thinking about secrecy. In fact, Google seems intentionally to be creating an atmosphere of mystery around “a pair of otherwise ordinary two-story red-brick buildings about a half-mile from Google’s main campus” <span class="frzfn fn"><span class="marker">1</span><span class="text">Brad Stone, “Inside Google’s Secret Lab, Google X’s Silicon Valley Nerd Heaven – America’s Last Great Corporate Research Lab”, <em>Bloomberg.com/news</em>, 29 May 2013, <a href="http://www.bloomberg.com/news/articles/2013-05-22/inside-googles-secret-lab">http://www.bloomberg.com/news/articles/2013-05-22/inside-googles-secret-lab</a></span></span>. It is impossible to find much information on Google (sic!) apart from two journal articles. In the one published in <em>The New York Times</em> in 2011 we can read: “It’s a place where your refrigerator could be connected to the Internet, so it could order groceries when they ran low. Your dinner plate could post to a social network what you’re eating. Your robot could go to the office while you stay home in your pajamas. And you could, perhaps, take an elevator to outer space.” <span class="frzfn"><span class="marker">2</span><span class="text">Claire Cain Miller and Nick Biltonnov, “Google’s Lab of Wildest Dreams”, <em>The New York Times</em>, 13 November 2011.</span></span></p>
Blog series: François Brunet

François Brunet | 15.01. – 28.02.2014
François Brunet

Starting on January 15, 2014, the historian of images and American culture, François Brunet, will tackle the following questions in his blog series: Why are portraits relatively neglected in the history of images, and how can we approach them today? Can we consider or treat photographs, in general, as historical documents, and what does this mean today, particularly in the face of mounting visual skepticism? And what do we make of the circulation of images in writing histories of images and history in general? How does one study, narrate, illustrate circulation?

Archives forever (On History, Two)

Freitag, 28.02.2014
<p>Our recent discussions on this blog have set me thinking about the notion of archives in photography. My personal and professional concern is primarily with historical uses of photographic and other archives, but I want to consider these uses from the vantage point of today, i.e. the vocabulary and the concerns of the digital era, which is characterized by perhaps unprecedented “archive fever” (Derrida, as quoted recently by Nils Plath on this blog) or archive fervor, but also by deep ambiguities and problems in the very notion of “archive/s.”</p>