Still Searching…
Von 2012 bis 2023 beschäftigte sich der Diskurs-Blog des Fotomuseum Winterthur interdisziplinär mit allen Aspekten der Fotografie und ihrer Rolle in der visuellen Kultur. Die insgesamt fast 50 eingeladenen Blogger_innen von Still Searching… diskutierten fotografische Medien und Formen als Bestandteil komplexer technologischer, kapitalistischer und ideologischer Netzwerke und verhandelten aktuellste und relevante Fragestellungen rund um die Fotografie.
Ingrid Hoelzl, Rémi Marie | 01.03. – 30.04.2016
The Status of the Image in Digital Culture
The current blog series are co-written by image theorists Ingrid Hoelzl and Rémi Marie. Until the end of April, they will reflect on the status of the image in digital culture. They will examine the shift from the humanist to the posthumanist programme of the image, in line with the shift from the geometric paradigm of the image (based on the linear perspective) to the algorithmic paradigm (introduced with digitalization). Hoelzl and Marie will discuss the central idea of their book Softimage (2015), the image as a software, and reflect on the status of the image in the age of autonomous machines – the postimage.
On the Invisible (Image and Algorithm)
Softimage and Hardimage
Walead Beshty | 15.04. – 31.05.2012
Exceptional Position of Photography within the (Art) World
Walead Beshty, the internationally known photographer, professor and writer who lives and works in Los Angeles, will be blogging for us until the end of May 2012. Beshty’s concern is the exceptional position of photography within the (art) world today. Why is it “that a medium that was born less than two hundred years ago, in the midst of the industrial revolution, would be the primary contemporary vehicle of the western pictorial tradition?” In his blog series Beshty will “sketch out this theoretical problem, and reexamine the assumptions associated with that loose collection of practices and theories that we call the photographic, and attempt to propose broader, and perhaps more dynamic tools through which to understand it. This process seems best begun with a discussion of the functional construction of the category of photography.”